Okay, let me start by saying there are so many reasons to like this movie, both seriously as a good example of a Hong Kong Kung Fu film and as a campy, old action movie with some absurd moments. Additionally, for fans of post-punk and early industrial music, you get an amazing soundtrack. The background music sounds like it could be Clock DVA messing around in the studio before laying down their real tracks, and the main title theme could easily be a Chrome outtake from Half Machine Lip Moves. Oh, and this was released in early 1976, so it was ahead of its time punk-wise.
The guy pictured above is the Master of the Flying Guillotine, "the most gruesome weapon ever conceived!" He's so bad ass that he can punch the air! His fists make loud sounds on impact with even our gassy atmosphere! Don't fuck with this guy. He can jump straight up through a thatched roof! He's got a weird hat on a chain that decapitates any person, statue or chicken he throws it at. And did I mention he's blind?
This guy is the One-Armed Boxer. He's also a total badass, and can even walk on the goddamn ceiling, but he works for the Ming dynasty, so the Master of the Flying Guillotine wants to kill him. The Master is actually the antagonist in this film. And it raises the question: which handicap makes you a better Kung Fu master? It's an age old question, finally put to the test.
Despite his moustache, this Mongol Kung Fu master isn't a major character. |
If you practice yoga and you can't do this, you are doing it wrong. |
"He wasn't the One-Armed Boxer. He was a one-armed bum!" |
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